Rock or Electronic? Finding Your Next DST61 Release Beyond the Label
Two DST61 releases appear under different genres on Apple Music. Use that difference to explore voices, electronic sound, and your own response across CLASH*CRUSH*KRUSH and PiNK//OVERKiLL.

Some days you browse for rock; other days you want electronic music. If you enjoy both, one genre label may not tell you which release to try next. On Apple Music, DST61’s CLASH*CRUSH*KRUSH appears under Electronic, while PiNK//OVERKiLL appears under Rock. Those two entrances offer a useful way to explore your own preferences in more detail.
This guide moves between the categories shown on release pages and what catches your attention while listening. Alongside a genre name, try following a voice, an electronic sound, or the impression a song leaves behind.
One project, two genre labels
The Apple Music page for CLASH*CRUSH*KRUSH shows Electronic. It contains CLASH://Ray-III, CRUSH://Neo-β, and KRUSH://Kana-Blaze. The PiNK//OVERKiLL page shows Rock, with ロリきゅん×デスきゅん, Like/イイネ?, and Nya Nya Nya Yum-Yum. These are the categories displayed on the Japanese storefront pages checked on October 26, 2026.
Try noticing whether the sound you imagine from a category matches what interests you in a track. A label can help you find a release. It does not describe every part of its three songs. Before staying in the same browsing category, leave room to open the other record.
Turn a genre name into a listening question
DST61’s production approach brings together metal, club, industrial, and idol-related expression. Take one step beyond the names you usually browse and ask what you want to follow.
- If voices draw you in — Which words or vocal expressions bring your attention back? Does knowing the character named in a title change your impression?
- If electronic music interests you — Where does your attention go when you follow the sounds and rhythm around the voice?
- If you like cuteness alongside intensity — What distance is there between what the title or artwork led you to expect and what stays with you afterward?
You do not have to answer every question at once. Pick one, so you can take away something about your own preferences.
Try two songs through different entrances
On CLASH*CRUSH*KRUSH, begin with the third track, KRUSH://Kana-Blaze. The official release guide introduces a theme of rebuilding after damage. If the character’s perspective interests you, another name on the same record offers a next step.
Then try the opening track on PiNK//OVERKiLL, ロリきゅん×デスきゅん. The guide to that release introduces its neighboring ideas of angel and devil, sweetness and aggression. The YouTube player in this article opens its official audio. Carry the same listening question across both songs and see what you notice beyond the labels.
The Spotify player here opens CLASH*CRUSH*KRUSH. To move to the other record, open PiNK//OVERKiLL on Spotify. Preview availability depends on the service and your login.
Let one detail lead to the next record
After the two tracks, name one thing that caught your attention: a voice, a rhythm, a title, a story, or an image. It does not need a genre term. Something you want to explore again can help you choose another track from the same release.
If character names make you curious, try another song on CLASH*CRUSH*KRUSH. If the distance between a short phrase and the feeling behind it interests you, explore another song on PiNK//OVERKiLL. To choose through lyrical themes instead, visit Three Ways into DST61.
Explore the official music and its context at your own pace
For a direct route to ロリきゅん×デスきゅん, use the official audio on YouTube. For shorter visual introductions to the project, visit the official TikTok profile. That link opens the band’s posts.
DST61 is a virtual band that uses AI in the creation of its music and visuals. You can keep your judgment about the tools alongside your response to a song. The guide to its music, characters, and images explains how its fictional members relate to the project. Follow the entrance that interests you and choose another track at your own pace.


